42

Happy Jackie Robinson Day!

Every player, manager, and coach in Major League Baseball will wear a uniform number 42 during today's games, in commemoration of the Brooklyn Dodgers' Hall of Fame infielder's breaking of baseball's racial barrier 62 years ago.

Robinson's number was permanently retired from active use by all MLB teams during the inaugural Jackie Robinson Day festivities in 2004.

For whatever reason, Jackie Robinson Day always reminds me of that classic episode of Sanford and Son, in which the always-scheming Rollo gives Fred a special birthday present: a baseball autographed by Jackie Robinson.

Upon examining his gift, Fred asks his friend, "Rollo, how do you spell 'Jackie'?"

"J-A-C-K-Y," replies a confident Rollo.

"That's right," says Fred. "That's how you spell 'Jackie.' But that's not how Jackie Robinson spelled 'Jackie...' you dummy."

The moral of this story: If someone gives you an autographed baseball for Jackie Robinson Day — or tries to sell you one on eBay — be sure you authenticate the signature.

Dr. King on the power of love

Dr. Martin Luther King, Jr., addressing the Southern Christian Leadership Conference in Atlanta, August 16, 1967:

It is perfectly clear that a violent revolution on the part of American blacks would find no sympathy and support from the white population and very little from the majority of the Negroes themselves. This is no time for romantic illusions and empty philosophical debates about freedom. This is a time for action. What is needed is a strategy for change, a tactical program that will bring the Negro into the mainstream of American life as quickly as possible. So far, this has only been offered by the nonviolent movement. Without recognizing this we will end up with solutions that don't solve, answers that don't answer and explanations that don't explain.

And so I say to you today that I still stand by nonviolence. And I am still convinced that it is the most potent weapon available to the Negro in his struggle for justice in this country. And the other thing is that I am concerned about a better world. I'm concerned about justice. I'm concerned about brotherhood. I'm concerned about truth. And when one is concerned about these, he can never advocate violence. For through violence you may murder a murderer but you can't murder. Through violence you may murder a liar but you can't establish truth. Through violence you may murder a hater, but you can't murder hate. Darkness cannot put out darkness. Only light can do that.

And I say to you, I have also decided to stick to love. For I know that love is ultimately the only answer to mankind's problems. And I'm going to talk about it everywhere I go. I know it isn't popular to talk about it in some circles today. I'm not talking about emotional bosh when I talk about love, I'm talking about a strong, demanding love.

And I have seen too much hate. I've seen too much hate on the faces of sheriffs in the South. I've seen hate on the faces of too many Klansmen and too many White Citizens Councilors in the South to want to hate myself, because every time I see it, I know that it does something to their faces and their personalities and I say to myself that hate is too great a burden to bear.

I have decided to love. If you are seeking the highest good, I think you can find it through love. And the beautiful thing is that we are moving against wrong when we do it, because John was right, God is love. He who hates does not know God, but he who has love has the key that unlocks the door to the meaning of ultimate reality.

Thanks for the reminder, Dr. King. I wish only that you could be there in Washington tomorrow, to see in shining measure what you and so many others made possible.

Speaking of love...

Happy 24th anniversary, KJ!

It's hard in Oakland for a pimp

The Hughes Brothers speak the truth: "Oakland is a pimpin' town."

Apparently, the only people who won't acknowledge that truth are in Oakland city government.

Allen and Albert Hughes, most often referred to collectively as the Hughes Brothers (because their last name is Hughes, and they're... well... brothers), are fraternal twin filmmakers best known for their uncompromising depictions of urban street life, as portrayed in their dramatic films Menace II Society and Dead Presidents, and the documentary American Pimp. (The Hughes Brothers also masterminded the comic book adaptation From Hell, starring Johnny Depp as a 19th-century London detective stalking Jack the Ripper.)

The latest Hughes project is an upcoming HBO drama series entitled Gentlemen of Leisure, about a middle-aged pimp struggling with the responsibilities of fatherhood and family life. The series is set in Oakland, and the Hughes Brothers are eager, for the sake of verisimilitude, to film the show on location.

So far, Mayor Ron Dellums and the Oakland City Council are having none of it. The council has to date refused to approve the Hughes Brothers' permits to begin filming on the streets of Oakland. According to Mayor Dellums, a TV show about pimps doesn't fit his vision of what Oakland is.

Never mind the fact that the rest of the world — including a slew of big-name hip-hop artists from Oakland — sees the city exactly that way.

It's no secret to anyone who follows American popular culture that Oakland is one of the hubs of the hip-hop/rap scene, which has made a cottage industry out of "pimps and hos." (The hip-hop crew Three 6 Mafia won the Academy Award for Best Original Song four years ago, for the song "It's Hard Out Here for a Pimp.") Hyphy, an entire "brand" of hip-hop music and style, originated in Oakland and its surrounding communities. Rap pioneer Too Short, perhaps the biggest hip-hop star to arise from the East Bay scene, built his entire career explicitly proclaiming the glories of the pimping life in Oakland.

The Oakland city fathers may not like that image. It's disingenuous, however, to deny that it exists, or to stand in the way of legitimate artists documenting it.

For their part, the Hughes Brothers have stated that if the City Council won't grant them permits to lens Gentlemen of Leisure in Oakland, they'll move the production to another city, while leaving the show's fictional setting in Oakland. That means another community will benefit from the economic uplift and job creation that follows a major television production, while struggling Oakland will lose out, even as its likeness — for better or worse — is portrayed onscreen.

If you can't change perception, Mayor Dellums, you may as well pimp it out.

Catwoman's last groove

Not to rain a bummer down on your Yuletide or anything, but...

Eartha Kitt died today.

You young whippersnappers know Ms. Kitt as the voice of Yzma in The Emperor's New Groove, one of the best Disney animated films of the past decade, and its spin-off television series, The Emperor's New School.

Those of us with a few miles on our odometers knew that the multitalented Ms. Kitt possessed many facets. She was an actress; nominated for two Tony Awards, she was a favorite of actor-director Orson Welles (on and off the set, or so the whispers tell). She was a singer; ironically, given her death on Christmas Day, her best-known musical number was the original rendition of the pop-jazz carol "Santa Baby." She was a social activist; her scathing remarks condemning the Vietnam War at a White House function reportedly reduced Lady Bird Johnson, the then-incumbent First Lady, to tears.

Eartha Kitt broke barriers in a number of ways, perhaps most memorably in 1967, when she took over the role of Catwoman in the hit Batman after Julie Newmar left the show. "Color-blind" casting is relatively common today — think of Denzel Washington in the remake of The Manchurian Candidate, to cite just one recent instance — but in the '60s, it was practically unheard of that an African-American actor would be cast in a role written for a Caucasian.

Kitt's turn as the Felonious Feline was all the more remarkable in that the character's race was never made an issue. No one on Batman ever seemed to notice that the new Catwoman was black. Again, unheard of in mid-20th century Hollywood.

Kitt's tradition-shattering portrayal opened possibilities for countless other actors to be chosen for roles for which they might never have been considered — such as Halle Berry in the title role in Catwoman.

Umm...

Let me think of a better example.

How about Michael Clarke Duncan as the Kingpin in Daredevil?

Yeah, that works.

Back to Eartha Kitt...

In addition to her work behind the Disney microphone (for which she earned her second Daytime Emmy just a couple of months ago), the legendary star spent her later years performing her popular cabaret act, acting in the occasional stage production (she toured as the Fairy Godmother in the national company of Cinderella a few years back), and battling colon cancer.

She died less than one month shy of her 82nd birthday.

As the great Ms. Kitt might have said herself... meow.

What's Up With That? #69: No cake for Hitler

What kind of whack job does one have to be to name one's children "Adolf Hitler" and "Aryan Nation"?

If this (cross-)burning question has been plaguing you, friend reader, you now have a resource. Direct your inquiries to Heath and Deborah Campbell of Holland Township, Pennsylvania.

The Campbells made news this week when a ShopRite supermarket refused to inscribe "Happy Birthday, Adolf Hitler" on a cake intended for the Campbells' three-year-old son, Adolf Hitler Campbell. The same store previously refused to personalize a cake for the couple's two-year-old daughter, JoyceLynn Aryan Nation Campbell.

Go figure.

Fortunately for the Campbells, a Wal-Mart in nearby Lower Nazareth Township happily complied with their request. (Wal-Mart. Owned by Republicans from Arkansas. Draw your own conclusions.)

The Campbells, who display swastikas in each room of their home — which, before you ask, is not a double-wide on cinder blocks, at least not according to the Easton Express-Times — "say they aren't racists but believe races shouldn't mix."

Perhaps a dictionary is in order.

Although, looking at this photo of Mr. and Mrs. Campbell, I'm guessing that reading is not a family priority. Maybe not even a family capability.

I wonder whether Deborah Campbell knows that her own first name is the Hebrew word for "bee."

Hebrew.

You know... Jewish.

Dawn of a new day

Did Obama still win?

Yes, it appears that he did.

There may be a handful of folks surprised that the sun rose this morning, on the day after an African American man was elected the 44th President of the United States. But it did. And, I suspect, that handful is smaller than it ever would have been before today.

What still stuns me most is not so much the fact of Obama's victory — although, to be honest, I'm considerably stunned by that alone — but the nature of that victory. Just consider the popular vote: Obama's 52.4% (which may change by a tenth of a point either way, once all of the absentee and provisional ballots are tallied) is the highest mark for any President-elect in 20 years. By way of comparison, Ronald Reagan racked up only 50.7% in 1980, running against a hugely unpopular Jimmy Carter.

Obama won Florida. He won Virginia. He won Indiana, for crying out loud — I would not have believed that possible, based upon my brief personal experiences in that state. North Carolina's 15 electoral votes may yet fall into Obama's column — we're talking about the state that kept the virulently racist Jesse Helms gainfully employed for decades. Obama got 56% of the vote in New Mexico, and 54% in Iowa. He garnered 55% in Nevada, which, despite its proximity to California and its legendary embrace of casino gambling and legalized prostitution (only in counties with populations under 50,000, though — not in cities like Las Vegas or Reno), is a fairly conservative place with a sizable Mormon citizenry.

The overall popular vote favored Obama by roughly six percentage points, which is fairly close to the final pre-election aggregate of the major polls. The vaunted Bradley Effect didn't manifest itself to any significant degree — which, again, surprises me, but not as much as it might have a decade ago.

As ludicrous as it sounds, I think that popular culture helped pave the way for a President who just happens to be African American. Millions of people saw Morgan Freeman as President Tom Beck in the movie Deep Impact; who's not cool with Morgan Freeman? (Well, maybe his soon-to-be-ex-wife, but that's another issue.) Millions more watched Dennis Haysbert as President David Palmer on the first three seasons of 24; Haysbert was so authoritative and reassuring that he's now the "you're in good hands with Allstate" guy. D.B. Woodside then followed Haysbert to the 24 White House as President Wayne Palmer, David's brother and indirect successor. (I was going to mention Chris Rock as President Mays Gilliam in Head of State... but that's probably not a good example.) Seeing these talented African American actors playing strong, capable, decisive Presidents may — even at a subconscious level — have planted the notion in people's minds that, yeah, okay, a black guy could be President. You've gotta name it before you can claim it, as the saying goes.

Certainly, for President-to-be Obama, the tough journey is only beginning. Getting elected is one thing; governing effectively enough to get re-elected is entirely another, as former Presidents Jimmy Carter and George H.W. Bush could relate. Everything we've seen of Obama gives me confidence that he's equal to the challenge. How great a President he will be, only time will tell. But he will be President, which in itself is something special.

The additional symbolism of Obama as our 44th President resonates with me, too. One of my favorite baseball players of all time is Willie "Stretch" McCovey, the long-time San Francisco Giant whose number 44 hangs in retired glory at AT&T Park. McCovey was a smooth, cool, easygoing man whose quiet authority made him a respected team leader, and ultimately, a member of the Baseball Hall of Fame. His 1959 selection as National League Rookie of the Year, 1969 National League Most Valuable Player Award, six All-Star appearances, and 521 home runs — including a National League record 18 grand slams — contributed also. The Giants' annual "most inspirational player" honor, the Willie Mac Award, bears McCovey's name.

Although he won't take office for another 76 days, Obama 44 is already in the running for that "most inspirational" tag.

Now, he'll have to earn it.

In local election news, I was glad to see that my neighbors passed Measure Q, which provides funding (via a quarter-cent sales tax increase) for the SMART passenger-rail system. SMART will run from Cloverdale, Sonoma County's northernmost outpost, to Larkspur in Marin County, where the Golden Gate Ferry terminal is located, with 14 stops in between. SMART has been on the ballot at least twice before, and has lost narrowly each time, mostly due to opposition from Marin County interests. (In 2006, SMART received 65.3% of the combined Sonoma-Marin vote, just short of the two-thirds majority required for a sales tax hike.)

In this era of high energy costs, and given the perennially impacted commute corridor on U.S. 101, SMART makes excellent sense. The railway easement, a now-dormant line formerly operated by Union Pacific, already exists. Now that funding is approved, SMART should be up and running by 2013.

On a related note, it looks as though California voters also approved Proposition 1A, a bond measure that will help fund a high-speed rail line between San Francisco and Los Angeles, with eventual extensions to San Diego in the south and Sacramento in the north. Again, this transportation solution is an idea whose time has long since come, and I hope that the measure is officially passed once all of the votes are counted.

All right, election over. Everybody back to work.

One more quick note: This morning on KCBS News Radio, I heard a psychologist talking about the effects of Post-Event Energy Deficiency, a condition many folks may be suffering in the aftermath of an intense and attention-commanding election. That's as may be... but that condition would benefit from a better acronym.

Dolemite has left the scene

By way of my friend The Real Sam Johnson — the undisputed king of bloggers in Savannah, GA — comes the sad news of the death of comedian, actor, and entertainment personality Rudy Ray Moore.

That name might not trip any bells for those of you too young to have experienced the swinging '70s, but readers of a certain age (and those, to be frank, who have the complexion to make the connection) will recall Moore, first as one of the premier purveyors of what we called "party records" back in the day, and then as the lead in several blaxploitation flicks, most notably playing the outrageous pimp-slash-action hero known as Dolemite.



Moore was, first and foremost, a stand-up comic and raconteur who worked the so-called "chitlin circuit" in the 1960s. Like many African-American comics of that era, he produced inexpensive record albums featuring his down-and-dirty, profanity-and-graphic-sexuality-laden routines, targeted specifically at black audiences. (Although I've been surprised over the years to discover how many of my Caucasian acquaintances also grew up listening — mostly in secret — to these "party records," so dubbed because people often played them as entertainment at adult gatherings.) Richard Pryor, Redd Foxx, Pigmeat Markham, and ventriloquist Willie Tyler were among the leading practitioners of the genre.

As the blaxploitation boom was sweeping the film industry, propelled by such hit movies as Shaft and Superfly, Moore began looking for a way to cash in. His ticket into cinematic legend was Dolemite, a character that had long been a feature of Moore's stand-up act.

The on-screen Dolemite was a flamboyant cross between every stereotypical cliché about urban pimps and a hard-charging street fighter of the kind then being portrayed by Jim Kelly, Fred "The Hammer" Williamson, and other blaxploitation stars. (Think Huggy Bear, with an R-rated vocabulary.) When the 1975 film Dolemite became a cult hit, Moore reprised the character in The Human Tornado the following year. In 1978, Moore unleashed his other signature character, Petey Wheatstraw, the devil's son-in-law. (I kid you not.)

Moore's movies, made on budgets that you could probably scrape together from loose change you found beneath your sofa cushions, were not high cinematic art. Indeed, it's fair to say they're the kind of flicks that Ed Wood might have made if he had been a black comic in the 1970s. But the films connected with their intended audience, so enduringly that Moore and his Dolemite persona evolved into hip-hop icons, appearing on several popular rap recordings and in numerous videos.

They definitely don't make 'em like Rudy Ray any Moore.

Sign of the Apocalypse: Blackbyrd

This morning, West Virginia's senior U.S. Senator, 91-year-old Robert C. Byrd, formally endorsed Barack Obama for President.

Robert Byrd... who six decades ago was the Exalted Cyclops of his friendly neighborhood klavern of the Ku Klux Klan.

Robert Byrd... who in the 1940s opposed the integration of the U.S. military, saying, "I shall never fight in the armed forces with a Negro by my side."

Robert Byrd... who actively campaigned against civil rights legislation throughout the 1960s.

Robert Byrd... whose state handed the all-over-but-the-shouting Hillary Clinton campaign a 41-point victory in its Democratic primary just a week ago.

That Robert Byrd.

In announcing that his superdelegate vote will be cast for the junior Senator from Illinois, Byrd said:

I believe that Barack Obama is a shining young statesman, who possesses the personal temperament and courage necessary to extricate our country from this costly misadventure in Iraq, and to lead our nation at this challenging time in history. Barack Obama is a noble-hearted patriot and humble Christian, and he has my full faith and support.

Robert Byrd said that?

Crikey.

This settles the reality — if all of the other overwhelming evidence fails — that when Obama speaks of himself as the candidate of change...

...he's not just whistling "Dixie."

Babbling about Brooke

This caught my attention on a slow news May Day...

In an interview scheduled to air next Tuesday, television legend Barbara Walters reveals to Oprah Winfrey that, back in the 1970s, she engaged in a long-running affair with Edward Brooke, who at the time was (a) a Republican U.S. Senator from Massachusetts, (b) married, and (c) African-American.

Brooke hasn't been (a) since 1978. I believe he's now (b) to a different woman than the one to whom he was (b) at the time that he was getting jiggy with the ABC newswoman. So far as I know, he is still (c).

When I first heard about this, my first reaction was probably the same as yours: Barbara Walters?

Senator Brooke: You were one of the 200 or so most powerful men in the United States government. You could probably have shacked up with any woman you chose — notwithstanding the far less enlightened racial climate of 30-odd years ago. And you picked Barbara Walters?

Dude, what were you thinking?

Then again, as a quick survey of the couples strolling your local shopping mall will confirm, there's no accounting for taste.

And here all this time, I just thought Ed Brooke was goofy because he was a Republican.

Setting his questionable preferences in women aside for the moment, Ed Brooke's an interesting guy, from a historical perspective. The first African-American to be popularly elected to the U.S. Senate — and the only black Senator elected for more than a quarter-century after he took office in 1967 — Brooke was a black Republican in an era when pretty much the only black Republicans anyone could name were Pearl Bailey and Ed Brooke.

As one might expect from a Massachusetts Republican, Brooke occupied the liberal wing of the GOP, to the degree that such exists. (In fact, the citizens of Massachusetts haven't elected another Republican to the Senate since Brooke was defeated for a third term by future Democratic Presidential candidate Paul Tsongas.) Brooke often butted heads with fellow elephant Richard Nixon, leading the rejection of a trio of Nixon nominations to the U.S. Supreme Court, including that of racial segregationist (and closeted homosexual, not that either Nixon or Brooke knew at the time) G. Harrold Carswell in 1970. To his credit, Brooke was one of the first Senators to publicly call for Nixon's resignation in the wake of the Watergate scandal.

Earlier in this decade, Brooke was diagnosed with breast cancer, and underwent a double mastectomy. He has since campaigned actively in support of breast cancer awareness, among men in particular. Bush 43 awarded Brooke the Presidential Medal of Freedom in 2004.

At the time of his defeat in 1978, many political observers blamed Brooke's loss on the nasty and highly publicized divorce he and his then-wife underwent during his second Senatorial term. Now that Barbara Walters has 'fessed up to Oprah, maybe we know what all the fuss at the Brooke house was about.

Although we may never know how Baba Wawa hooked up with a man whose surname she couldn't pronounce.

What's Up With That? #62: Ain't no party like an Uncle Sam party

Pop diva Alicia Keys opines that gangsta rap was created by the United States government as "a ploy to convince black people to kill each other."

Umm... what?

I'm trying to envision a collection of Caucasian policy wonks holed up in a bunker in Washington, D.C. writing the material for N.W.A.'s Straight Outta Compton. The imagery just isn't working for me.

Even if we assume, for the sake of ludicrous argument, that shadowy figures at the Justice Department did in fact concoct the idea of gangsta rap, there's an element that I still don't comprehend:

How did the government persuade the performers who ostensibly began the gangsta rap phenomenon to begin recording this stuff?

Maybe the conversation went something like this...

FBI Guy: Hello, Mr. Ice-T. Thank you for meeting with us.

Ice-T: Whatever.

FBI Guy: Mr. Ice-T — may I call you Mr. T.?

Ice-T: Naw, man, that's the brother with the Mohawk and the bling. Just call me Ice.

FBI Guy: All right, Ice. Recognizing that you are a loyal American and a decent, law-abiding citizen, your federal government would like to make you the point man on a unique public relations project.

Ice-T: I'm listening.

FBI Guy: Your government is taking note of this hip-hop — do I have the term correct? — business that's all the rage with the young African-Americans these days. We believe there's a wonderful opportunity here to accomplish something very special for this country, and for the black community in particular, utilizing this exciting medium. And we would like for you to take a leading role.

Ice-T: What do I have to do?

FBI Guy: Our crack staff — no pun intended, Ice — has been composing some funky-fresh — did I say that properly? — lyrical material for the hip-hop genre, which we want you to record. We believe that if you were to make this material popular with the African-American youth, other performers would follow suit.

Ice-T: A'ight. Lemme see what you got. (Pause.) "Six in the mornin', police at my door..." Are you kidding me, man? (Another pause.) "Cop Killer"? What the [expletive deleted] is this?

FBI Guy: We realize that some of this material may seem — how should I put it? — extreme. However, it's our position that...

Ice-T: This crap has me advocating the murder of police officers! Man, some of my best friends are cops!

FBI Guy: I know, it sounds somewhat counterintuitive. But...

Ice-T: I can't record this. It'll incite people to violence. I'm a lover, not a "cop killer."

FBI Guy: Ice, are you familiar with the concept of reverse psychology? That's what we're going for here.

Ice-T: I don't know, man. This seems like crazy talk.

FBI Guy: This isn't crazy, Ice. It's your federal government at work. Some of the brightest minds in Washington are hard at work on this project.

Ice-T: Whatever. So what's in all this for me, man?

FBI Guy: International fame and a multimillion-dollar recording career, for starters.

Ice-T: You gotta give me more than that. I'll lose all my friends in the 'hood once they find out I'm working for The Man.

FBI Guy: How would you feel about a permanent costarring role on Law & Order: Special Victims Unit?

Ice-T: Dick Wolf? I'm down.

FBI Guy: You're a true patriot, Ice.

Ice-T: Whatever.

They've killed Kinch!

Ivan Dixon, the talented actor-director best known to teleholics of a certain age as Sgt. James "Kinch" Kinchloe, the technical wizard POW on Hogan's Heroes, has died at age 76.



Dixon's Hollywood career began in the 1950s, when he served as Sidney Poitier's double and stand-in on such films as The Defiant Ones, and later as Poitier's costar in Porgy and Bess and A Raisin in the Sun. He became one of the first black actors to appear in a regular, nonstereotypical role on an American TV series when he was cast in Hogan's Heroes in 1965.

Dixon mostly set acting aside after leaving Hogan's at the end of the show's fifth season. (It remains one of TV's enduring mysteries that Hogan's Heroes stayed on the air for six years.) His two notable roles in post-Stalag 13 life were as Lonnie, the tough-yet-compassionate ex-con straw boss in the classic '70s film comedy Car Wash ("I got to have more money, Mr. B.!"), and as courageous Dr. Alan Drummond, a leader of the resistance movement in the Cold War drama Amerika.

Instead, Dixon refocused his career behind the camera, becoming one of TV's busiest directors throughout the '70s and '80s. He helmed the canvas chair for dozens of episodes of series television, most frequently on The Rockford Files (nine episodes) and Magnum P.I. (13 episodes), but also on shows as diverse as The Waltons, The Greatest American Hero, and Quantum Leap.

After retiring from directing, Dixon owned a radio station in Hawaii for a number of years. (I guess all those years as Colonel Hogan's communications guy finally paid off.)

His career honors included one Emmy nomination (Best Lead Actor in a Drama for the 1967 CBS Playhouse presentation The Final War of Olly Winter), four NAACP Image Awards, the National Black Theatre Award, and the Black American Cinema Society's Paul Robeson Pioneer Award.

As résumés go, that's a pretty darned good one.

I'm Karen for you, Valentine

Happy Valentine's Day to everyone in SSTOL-land! May you live in romantic times.

All this hearts-and-flowers talk has me wondering, though...

Whatever happened to local girl Karen Valentine?



Born and raised just around the corner from here in Sebastopol — then nationally renowned for its apple orchards (now mostly gone, as progress would have it), and later as the one-time residence of cartoonist Charles Schulz — Karen Valentine leaped into TV prominence in 1969 on the seminal academic drama Room 222. As perky, neurotic student teacher (and eventually, full-fledged faculty member) Alice Johnson, Karen quickly became one of 222's focal points.

For those of you too callow to recall, Room 222 broke significant broadcast ground back in the day. The show, set in an inner-city Los Angeles high school, boasted one of network television's first thoroughly integrated casts, headlined by African American actors Lloyd Haynes and Denise Nicholas (who was briefly married to soul singer Bill Withers). The plotlines often dealt with topical issues, such as race relations and the Vietnam War.

But let's face it: It was Karen Valentine we tuned in to see.

After 222 ended in 1974, Karen headlined a short-lived sitcom entitled — not surprisingly — Karen. She also made frequent appearances throughout the '70s as a celebrity panelist on the popular game show Hollywood Squares, before launching a decade-long career as the heroine in a skein of maudlin made-for-TV movies.

Although her IMDB listing reflects sporadic acting credits in recent years, I don't believe I've actually seen Karen in anything in 15 years or more. Unlike the remarkably similar Sally Field, who pushed beyond her youthful roles in Gidget and The Flying Nun to become a respected, Oscar-winning film actress, Karen never quite made the on-camera jump from bubbly, fresh-faced girl to mature, sophisticated adult woman.

Too bad, really.

Wherever you are, Miss Johnson, I hope you're enjoying your Valentine's Day.

The missing Linc

It's Lincoln's Birthday today!

Oh, what a joyous occasion!

Lincoln has always been a hero of mine. He hung tough in the face of adversity and violent opposition. He stood determined in his resolve to battle injustice and hatred. Charismatic, yet possessed with a dignified cool. A champion defender of the disenfranchised, and a staunch advocate for the rights of black Americans.

Plus, his monster Afro and aviator shades were wicked cool.

What?

Oh, you meant this Lincoln...



...not this Lincoln.



Never mind, then. Carry on.

Solid!

Still the dream

But for an assassin's bullet, and barring further untoward incident, Dr. Martin Luther King Jr. would have been 79 today.

From Dr. King's speech at the Great March on Detroit, June 23, 1963:

We've been pushed around so long; we've been the victims of lynching mobs so long; we've been the victims of economic injustice so long — still the last hired and the first fired all over this nation. And I know the temptation.

I can understand from a psychological point of view why some caught up in the clutches of the injustices surrounding them almost respond with bitterness, and come to the conclusion that the problem can't be solved within, and they talk about getting away from it in terms of racial separation. But even though I can understand it psychologically, I must say to you this afternoon that this isn't the way.

Black supremacy is as dangerous as white supremacy. No, I hope you will allow me to say to you this afternoon that God is not interested merely in the freedom of black men and brown men and yellow men. God is interested in the freedom of the whole human race.

And I believe that with this philosophy and this determined struggle, we will be able to go on in the days ahead and transform the jangling discords of our nation into a beautiful symphony of brotherhood.

Preach on, brother Martin. Preach on.

Even white boys got to shout

One of KM's favorite gifts this Christmas is a wireless FM transmitter that enables her to play the output from her iPod through our car's stereo system. As we were driving home tonight, she was booming "Baby Got Back" — or, as I like to call it, "The National Anthem" — from the speakers.

It's hard to think of another hip-hop or rap single that has made as pervasive an impact on modern pop culture as Sir Mix-a-Lot's infamous paean to the female posterior. An online poll conducted by VH1 last year named "Baby Got Back" the sixth greatest song of the 1990s, and I would not have been surprised if it had landed in the top five.

Which brought to mind two questions:

First: Why is it that some men are predominantly fixated upon women's buttocks, while others are breast fanciers? And why is it that, in America at least, men of color tend to be the former, and men of the Caucasian persuasion the latter?

It's clearly cultural, not genetic, if my own experience is any gauge — my DNA hails from both western-central Africa and northern Europe, but I've always been in the Mix-a-Lot camp. Not that I'm exclusive in that regard, mind you. I love pizza, but it's not the only food I crave, if you know what I mean... and I think you do.

Clearly, additional research is in order. I'll get back to you.

Second: Am I the only human alive who waxes nostalgic about The Watcher, that weird UPN series in which Sir Mix-a-Lot starred in the mid-'90s? (Like the other newcomer networks, UPN was so desperate for programming in its early seasons that practically anything that could be filmed might turn up on its air. Remember when FOX first started, and they were throwing on stuff like Werewolf and The New Adventures of Beans Baxter? Ye gods.)

For the 300 million of my fellow Americans who didn't tune in to this bizarre little morsel of televised fare, Mix-a-Lot played a nameless cyber-voyeur who lived in the penthouse of a Las Vegas hotel-casino. The walls of the Watcher's suite were lined with monitors, through which he could access the video feed from any surveillance camera in America's most hard-wired metropolis.

The show was a dramatic anthology, a Twilight Zone rip-off with the old Mix-Master introducing a trio of strange vignettes, usually dark morality tales. Most of the stories ended with the kind of forced twists that would have ended up in the Night Gallery slush pile, or at the conclusion of an M. Night Shyamalan flick. The portly Mix-a-Lot would reappear between stories to mock the unfortunate characters in sardonic tones.

Whoever signed off on the decision to cast a one-hit-wonder rapper as a Serlingesque interlocutor was some kind of mad genius. Or perhaps just mad, period.

I seem to recall that all of the female characters on The Watcher sported remarkably prominent glutei maximi. That could just be wishful thinking on my part, though.

Some enterprising house DJ should concoct a mash-up of "Baby Got Back," Queen's "Fat Bottomed Girls," and Spinal Tap's "Big Bottom," and release it as a digital download. I'd snag that for my iPod.

If I had an iPod, that is.

C.C. Sabathia, see what you have done

Congratulations to North Bay native C.C. Sabathia, who today was awarded this year's American League Cy Young Award.

The Cleveland Indians' ace posted a 19-7 record in the baseball season just concluded, with a 3.21 ERA and 209 strikeouts in 241 innings pitched, the most in the majors this year.

Sabathia becomes the first African American pitcher to win the Cy Young in 22 years, since the Mets' Dwight Gooden in 1985, and the first in the American League since Vida Blue won with Oakland in 1971.

With his 19 victories, Sabathia fell one win short of becoming the 14th member of the Black Aces, the elite group of African American pitchers who have won 20 games in a major league season.

Not too shabby for a kid from Vallejo.

Kissin' cousins

And you thought YOU were having a bad day...

Senator and presidential hopeful Barack Obama just found out that he's related — albeit distantly — to Vice President Dick "Shotgun" Cheney.

The Veep's wife Lynne discovered the connection while reaching her family tree for her new autobiography. The Second Lady revealed the genealogical anomaly yesterday in an interview on MSNBC.

Although Mrs. Cheney said that her husband and Obama are eighth cousins, further investigation by the Chicago Sun-Times showed that Tricky Dick and Master O are actually ninth cousins, once removed. (If I were Obama, once would not be nearly enough removal.)

In response to the revelation, Obama's spokesperson quipped, "Every family has a black sheep."

Ain't it the truth?

Always bet on Black... Panther

Over at Comics Should Be Good! — a sentiment with which I wholeheartedly agree — columnist Brian Cronin is challenging readers to list their 10 favorite characters from both Marvel and DC Comics.

I've been tinkering with my lists for a couple of days now, and I'm finding the task infinitely more difficult than I had thought it would be. Not, ironically, because I'm having trouble paring the lists to 10 characters each, but because I'm struggling with the concept of "favorite." What do I mean when I use that word? The characters whose adventures I read most frequently? Those whose appearance in a story will cause me to pick up a book I might not otherwise buy? The precious few with some special meaning to me personally? The ones whose images I collect? Yes, in some respect, to all of the above.

Which isn't helping my list-making any.

When I finalize my lists, you can be certain that I'll share them in an upcoming Comic Art Friday.

Certain to make my Marvel list — whatever that list ultimately looks like — is T'Challa, the Black Panther. I've been an avid Panther fan since he first appeared in Fantastic Four #52 (July 1966), one of the earliest comic books I can recall reading.

The Black Panther was the superhero universe's Jackie Robinson — there had been a handful of non-offensive black characters in mainstream comics previously, mostly at Marvel (Gabe Jones of Sgt. Nick Fury's Howling Commandos, for example, preceded T'Challa by three years), but the Panther was the first costumed superhero of African heritage to appear in a mass-market comic.



A common error made by ill-informed writers is citing the Black Panther as comics' first African-American superhero. A native, and ultimately the king, of the African nation of Wakanda — and proudly not American — T'Challa doesn't qualify on that score. That honor is owned by the Panther's fellow Marvel hero, the Falcon, who arrived in the pages of Captain America in 1969 (and co-headlined the title for a while in the '70s).



Nor was T'Challa the first black superhero to star in his own comic book. Luke Cage (later called Power Man, he now battles evil simply under his own name) holds that distinction with his debut series, Luke Cage, Hero for Hire, which landed on newsstands in 1972. (In fact, an obscure character named Lobo was the first African-American headliner in mainstream comics, with a two-issue series launched by Dell Comics in 1965. Lobo, however, was an Old West gunslinger, not a superhero.)



Although I've become a devoted follower of the current Black Panther series written by movie director and Black Entertainment Television executive Reginald Hudlin, I still believe that T'Challa's best interpreters were Don McGregor, who chronicled the Panther's exploits (illustrated by artists including Billy Graham, one of the few black artists working in comics at the time) in the early '70s series Jungle Action, and Christopher Priest, who partnered with artist Mark Texeira (and later, the penciler/inker team of Sal Velluto and Bob Almond) for a memorable five-year run beginning in the late 1990s.



Today, the Black Panther is an acknowledged star in the Marvel Universe. He's married to one of its most powerful and beautiful heroines, the mutant Ororo Munroe, better known as Storm. The Royal Couple of Wakanda are currently guest-starring in the book where T'Challa's adventures began — Fantastic Four — in a highly entertaining story arc penned by Dwayne McDuffie of Justice League TV fame.



And that's your Comic Art Friday.

Tuesday turkey trot

Uncle Swan here, blazing through a barrage of lightning-quick thoughts, observations, and emotional outbursts. Steady as she goes, Captain.

• Congratulations to the crew of Space Shuttle Endeavour on their safe ride home in their old and busted vehicle. I suppose that, had push come to shove, they could always have stuffed an industrial-grade astronaut diaper in the heat shield breach. If one of those things could get a scorned and lust-crazed female across the continent, it could certainly survive the heat of reentry.
  
  
• Lechers, rejoice: Hayden Panettiere is street-legal today.
  
  
• In a recent concert in Malaysia, Gwen Stefani eschewed her customary flesh-baring stage outfits, out of respect for the sensibilities of her fans in that predominantly Muslim nation. I guess what Gwen says about herself is true: She ain't no Allah-back girl.
  
  
• At last we have an answer to the musical conundrum, "Who let the dogs out?" It's Michael Vick, with a guilty plea.
  
  
• Because one nerdy, goofy-cute, smart chick is never enough: Janeane Garofalo is joining the cast of 24 next season.
  
  
• New York City Mayor Michael Bloomberg has decided not to join the dozens of current participants in PrezRace 2008, because "nobody's going to elect me President of the United States." Don't be too sure, Mike — look at the other guys we've elected over the past 40 years. Heck, we've voted in Goober from Mayberry twice in this decade alone.
  
  
• Unleashing a controversial advertising strategy, Levi's is airing two versions of its latest TV campaign: one featuring a heterosexual couple, the other starring two gay men. All I want to know is, do 501s now come in gay and straight versions also? And what happens if I buy the wrong pair by accident?
  
  
• This explains it all: According to a new poll, young white people are happier than other Americans. You want examples? Britney Spears, Lindsay Lohan, Paris Hilton, and that Olsen twin who never eats. I'll stick with misery, thank you very much.
  
  
• In related news, Kanye West announces that Justin Timberlake is his "biggest inspiration." Says the never-at-a-loss-for-words West: "I look at me and Justin like Prince and Michael Jackson in their day." I'm thinking that Justin must be Michael, since he's the white guy.

What's Up With That? #50: That chicken's a Rhode Island White

As if we needed one, here's another example of how racism makes people stupid.

Ralph Papitto, chair of the governing board of Roger Williams University and namesake of Rhode Island's only law school, has resigned after using the N-pejorative during a board discussion about recruiting minorities and women.

Papitto says that the offending word "kind of slipped out." In his own defense, the 80-year-old former executive says, "I apologized for that. What else can I do? Kill myself?"

Hey, Ralph: Don't let me stop you.

But here's the truly stupid part of the whole affair. Papitto claims that he had never used the N-word before. He also says, "The first time I heard it was on television, and then rap music or something."

Come on, Ralph. Just because you're a moron doesn't mean everyone else you encounter is similarly challenged.

Let's examine this realistically. A man who's lived in the United States for eight decades had to learn the N-word from a TV program and a rap record? Where's he been for the past 80 years, hermetically sealed in a soundproof room?

Actually, no.

In addition to having led a prestigious university and getting a law school named after him, Papitto founded a Fortune 500 company — Nortek, Incorporated, which manufactures air conditioning units, security systems, and other building products. Does that ring true to you? The man started and ran a huge business in the rough-and-tumble construction industry, and he never heard the N-word? Puh-leeze.

Words that don't comprise a portion of one's daily vocabulary don't "kind of slip out." I can't recall the last time random quantum physics terminology just tripped off my tongue willy-nilly. I doubt you can, either, unless you're either a quantum physicist or a sci-fi geek.

Besides which, how many 80-year-old men — white, black, or maroon — do you know who listen to rap music, much less pick up and toss around lingo from that genre?

I guess that venerable saying still holds water: There's no fool like an old fool.